#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#28: Make Contracts.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#61: No all male install teams.|
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06.04.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #13

De Syllabus Reading Group word georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici creëert een ruimte voor activistische bijeenkomsten.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. Deze eerste bijeenkomst bepalen we samen met jou de richting; uitgangspunt blijft het werk van Silvia Federici en andere teksten die aansluiten bij haar activistisch-feministische praktijk.

We komen live samen in de Syllabus ruimte en testen ook de mogelijkheid om online aan te kunnen sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken! Met Sara O'Rourke, antropologe die werkt aan een doctoraat over de praktijk van o.a. Jesse Jones.

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group