#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#92: We’re a learning organisation.|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#26: More artists, less borders.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|
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01.06.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #15

Welkom bij de Syllabus Reading Group, georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici dat ruimte creëert voor (activistische) bijeenkomsten. Uitgangspunt is het samen lezen van teksten van Silvia Federici en andere auteurs die aansluiten bij haar activistisch-feministische praktijk.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. We komen live samen in de Syllabus ruimte en er is ook de mogelijkheid om online aan te sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken!

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group