#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#37: Operate with radical transparency.|#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#37: Operate with radical transparency.|
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01.06.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #15

Welkom bij de Syllabus Reading Group, georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici dat ruimte creëert voor (activistische) bijeenkomsten. Uitgangspunt is het samen lezen van teksten van Silvia Federici en andere auteurs die aansluiten bij haar activistisch-feministische praktijk.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. We komen live samen in de Syllabus ruimte en er is ook de mogelijkheid om online aan te sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken!

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group