#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#94: No objections? Just do it.|#40: Follow the artist|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#107: Build a community / scene.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#111: Do it together.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#39: Be the early stepping stone in an artist’s career|#94: No objections? Just do it.|#40: Follow the artist|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#107: Build a community / scene.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#111: Do it together.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#35: The artist fee should be good.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
