#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#37: Operate with radical transparency.|#30: Don’t work with artists who are assholes.|#65: No excuses: Thursday morning, team meeting.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#81: Things come alive when there is friction.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#37: Operate with radical transparency.|
