#54: What about disabled artists?|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#54: What about disabled artists?|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#15: Kunsthal Gent aims to be an extension of public space.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#74: Last one out turns of the lights.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|
