#2: Bring something new to the city of Ghent.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#124: Do less, do it better.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#2: Bring something new to the city of Ghent.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#124: Do less, do it better.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#111: Do it together.|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#82: Clean and sterile looks professional, but really boring.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
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17.10.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #17

Welkom bij de Syllabus Reading Group, georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici dat ruimte creëert voor (activistische) bijeenkomsten. Uitgangspunt is het samen lezen van teksten van Silvia Federici en andere auteurs die aansluiten bij haar activistisch-feministische praktijk.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. We komen live samen in de Syllabus ruimte en er is ook de mogelijkheid om online aan te sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken!

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group