#44: No name tags at dinner.|#62: Be kind. Full dishwasher: empty it.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#44: No name tags at dinner.|#62: Be kind. Full dishwasher: empty it.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#74: Last one out turns of the lights.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#2: Bring something new to the city of Ghent.|#37: Operate with radical transparency.|#64: Arrange a distribution of forces.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|
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02.11.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #18

De Syllabus Reading Group word georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici creëert een ruimte voor activistische bijeenkomsten.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. Deze eerste bijeenkomst bepalen we samen met jou de richting; uitgangspunt blijft het werk van Silvia Federici en andere teksten die aansluiten bij haar activistisch-feministische praktijk.

We komen live samen in de Syllabus ruimte en testen ook de mogelijkheid om online aan te kunnen sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken! Met Sara O'Rourke, antropologe die werkt aan een doctoraat over de praktijk van o.a. Jesse Jones.

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group