#56: Take a lunch break.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
