#56: Take a lunch break.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#65: No excuses: Thursday morning, team meeting.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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02.11.2023 17:30

Open bijeenkomst

Pay what you can

Syllabus Reading Group #18

Welkom bij de Syllabus Reading Group, georganiseerd rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici dat ruimte creëert voor (activistische) bijeenkomsten. Uitgangspunt is het samen lezen van teksten van Silvia Federici en andere auteurs die aansluiten bij haar activistisch-feministische praktijk.

We organiseren de Reading Group telkens op de 1e donderdag van de maand, van 17.30 tot 19.00 uur. We komen live samen in de Syllabus ruimte en er is ook de mogelijkheid om online aan te sluiten. Wees heel welkom en breng boeken of teksten mee die jij graag samen wil lezen of bespreken!

Praktisch
  • Live gathering in Syllabus (mogelijkheid om online aan te sluiten)

  • Voertaal: Nederlands en Engels

Syllabus Reading Group