#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#91: Embrace doubt.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#92: We’re a learning organisation.|#91: Embrace doubt.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#6: Demand that visitors are active.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|