#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#26: More artists, less borders.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#40: Follow the artist|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#37: Operate with radical transparency.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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13.11.2020 20:00

Online screening / intro by Silvia Federici, in conversation with Jesse Jones

Pay what you can

Syllabus Reading Group #5:
screening of Nightcleaners (1975)

Vrijdag 13 November, 20:00
Syllabus Reading Group #5
Nightcleaners (1975)

Online film screening, met een introductie door Silvia Federici en Jesse Jones

In het engels
Hosted by Art Cinema OFFoff, Universiteit Gent en Kunsthal Gent

Tijdens de week met Silvia Federici (26-29 oktober) bleek hoe relevant de thematiek van de film Nightcleaners (1975, Berwick Street Collective) is voor de huidige situatie van veel thuiswerkers, die hun baan moeten combineren met zorgtaken. De vijfde editie van de Syllabus leesgroep lezen we dan ook uitzonderlijk geen tekst, maar maakt Art Cinema OFFoff een online vertoning van deze film mogelijk. In Nightcleaners zien we schoonmaaksters met een job in de nacht en daarnaast een dayshift in zorgtaken. Deze vrouwen, Ierse migranten in het Engeland van 1972, komen toe aan twee uur slaap per nacht. De film wordt geïntroduceerd door Silvia Federici in gesprek met kunstenaar Jesse Jones.

Meer informatie over de film vindt u hier.

De Syllabus Reading Group wordt georganiseerd door Kunsthal Gent rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici, waardoor een ruimte ontstaat voor (activistische) samenkomst.

PRAKTISCH
Dit event is gratis en vindt online plaats via ZOOM.
Screening van de film gebeurt via het platform van distributeur LUX.
Na inschrijving wordt de zoomlink via e-mail verstuurd.

INSCHRIJVEN

MDC KH jessejones 017 HR

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