#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#4: Pay what you can.|#82: Clean and sterile looks professional, but really boring.|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|
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13.11.2020 20:00

Online screening / intro by Silvia Federici, in conversation with Jesse Jones

Pay what you can

Syllabus Reading Group #5:
screening of Nightcleaners (1975)

Vrijdag 13 November, 20:00
Syllabus Reading Group #5
Nightcleaners (1975)

Online film screening, met een introductie door Silvia Federici en Jesse Jones

In het engels
Hosted by Art Cinema OFFoff, Universiteit Gent en Kunsthal Gent

Tijdens de week met Silvia Federici (26-29 oktober) bleek hoe relevant de thematiek van de film Nightcleaners (1975, Berwick Street Collective) is voor de huidige situatie van veel thuiswerkers, die hun baan moeten combineren met zorgtaken. De vijfde editie van de Syllabus leesgroep lezen we dan ook uitzonderlijk geen tekst, maar maakt Art Cinema OFFoff een online vertoning van deze film mogelijk. In Nightcleaners zien we schoonmaaksters met een job in de nacht en daarnaast een dayshift in zorgtaken. Deze vrouwen, Ierse migranten in het Engeland van 1972, komen toe aan twee uur slaap per nacht. De film wordt geïntroduceerd door Silvia Federici in gesprek met kunstenaar Jesse Jones.

Meer informatie over de film vindt u hier.

De Syllabus Reading Group wordt georganiseerd door Kunsthal Gent rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici, waardoor een ruimte ontstaat voor (activistische) samenkomst.

PRAKTISCH
Dit event is gratis en vindt online plaats via ZOOM.
Screening van de film gebeurt via het platform van distributeur LUX.
Na inschrijving wordt de zoomlink via e-mail verstuurd.

INSCHRIJVEN

MDC KH jessejones 017 HR

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