#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#111: Do it together.|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#61: No all male install teams.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|
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13.11.2020 20:00

Online screening / intro by Silvia Federici, in conversation with Jesse Jones

Pay what you can

Syllabus Reading Group #5:
screening of Nightcleaners (1975)

Vrijdag 13 November, 20:00
Syllabus Reading Group #5
Nightcleaners (1975)

Online film screening, met een introductie door Silvia Federici en Jesse Jones

In het engels
Hosted by Art Cinema OFFoff, Universiteit Gent en Kunsthal Gent

Tijdens de week met Silvia Federici (26-29 oktober) bleek hoe relevant de thematiek van de film Nightcleaners (1975, Berwick Street Collective) is voor de huidige situatie van veel thuiswerkers, die hun baan moeten combineren met zorgtaken. De vijfde editie van de Syllabus leesgroep lezen we dan ook uitzonderlijk geen tekst, maar maakt Art Cinema OFFoff een online vertoning van deze film mogelijk. In Nightcleaners zien we schoonmaaksters met een job in de nacht en daarnaast een dayshift in zorgtaken. Deze vrouwen, Ierse migranten in het Engeland van 1972, komen toe aan twee uur slaap per nacht. De film wordt geïntroduceerd door Silvia Federici in gesprek met kunstenaar Jesse Jones.

Meer informatie over de film vindt u hier.

De Syllabus Reading Group wordt georganiseerd door Kunsthal Gent rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici, waardoor een ruimte ontstaat voor (activistische) samenkomst.

PRAKTISCH
Dit event is gratis en vindt online plaats via ZOOM.
Screening van de film gebeurt via het platform van distributeur LUX.
Na inschrijving wordt de zoomlink via e-mail verstuurd.

INSCHRIJVEN

MDC KH jessejones 017 HR

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