#81: Things come alive when there is friction.|#4: Pay what you can.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#37: Operate with radical transparency.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#36: We support production separately.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#4: Pay what you can.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#44: No name tags at dinner.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#37: Operate with radical transparency.|#39: Be the early stepping stone in an artist’s career|#56: Take a lunch break.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#36: We support production separately.|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|
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13.11.2020 20:00

Online screening / intro by Silvia Federici, in conversation with Jesse Jones

Pay what you can

Syllabus Reading Group #5:
screening of Nightcleaners (1975)

Vrijdag 13 November, 20:00
Syllabus Reading Group #5
Nightcleaners (1975)

Online film screening, met een introductie door Silvia Federici en Jesse Jones

In het engels
Hosted by Art Cinema OFFoff, Universiteit Gent en Kunsthal Gent

Tijdens de week met Silvia Federici (26-29 oktober) bleek hoe relevant de thematiek van de film Nightcleaners (1975, Berwick Street Collective) is voor de huidige situatie van veel thuiswerkers, die hun baan moeten combineren met zorgtaken. De vijfde editie van de Syllabus leesgroep lezen we dan ook uitzonderlijk geen tekst, maar maakt Art Cinema OFFoff een online vertoning van deze film mogelijk. In Nightcleaners zien we schoonmaaksters met een job in de nacht en daarnaast een dayshift in zorgtaken. Deze vrouwen, Ierse migranten in het Engeland van 1972, komen toe aan twee uur slaap per nacht. De film wordt geïntroduceerd door Silvia Federici in gesprek met kunstenaar Jesse Jones.

Meer informatie over de film vindt u hier.

De Syllabus Reading Group wordt georganiseerd door Kunsthal Gent rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici, waardoor een ruimte ontstaat voor (activistische) samenkomst.

PRAKTISCH
Dit event is gratis en vindt online plaats via ZOOM.
Screening van de film gebeurt via het platform van distributeur LUX.
Na inschrijving wordt de zoomlink via e-mail verstuurd.

INSCHRIJVEN

MDC KH jessejones 017 HR
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