#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#29: We make the program for the artist that we exhibit.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#68: Once in a while we need to get out of utopia and get something done.|#54: What about disabled artists?|#44: No name tags at dinner.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#127: Remain practical: what happens to the work in an endless exhibition?|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#89: Build-in impurity within the organisation.|#29: We make the program for the artist that we exhibit.|
