#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#91: Embrace doubt.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#119: Be a space of production.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#84: The White Cube is a lie.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#137: Use the publication as programming space|#68: Once in a while we need to get out of utopia and get something done.|#91: Embrace doubt.|#127: Remain practical: what happens to the work in an endless exhibition?|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#119: Be a space of production.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|
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28.04.2022 19:00

Online, met Jesse Jones & Barbara Mahlknecht

Pay what you can

Syllabus Reading Group #9: Care Networks

Syllabus Reading Group #9
donderdag 28 april 19.00 - 20.30

In deze editie van de reading group bespreken we experimenten met care networks. We lezen fragmenten uit "A Politics of network-families? Precarity, crisis and careful experimentations " van Manuela Zechner, uit het Nanopolitics Handbook (2013).

Hosts: Barbara Mahlknecht, Sarah O'Rourke, Jesse Jones

In het engels, online

Sinds 2020 organiseert Kunsthal Gent de Syllabus Reading Group rond het werk 'Syllabus' van de Ierse kunstenaar Jesse Jones: een monumentaal gordijn met de arm van Silvia Federici, dat een ruimte creëert voor (activistisch) samenzijn.

Dit seizoen wordt georganiseerd in samenwerking met Jesse Jones en feministisch onderzoekster Barbara Mahlknecht, rond het thema zorg - van zorgarbeid tot institutionele intimiteiten. Hoe creëren we een cultuur van zorg in onze alledaagse ontmoetingen en sociale reproducties?

We komen online samen, eens per maand op donderdagavond, vanaf 24 februari. We lezen en bespreken elke maand een nieuwe tekst. Tegen het einde van elke bijeenkomst stellen we verschillende teksten voor en beslissen samen wat we de volgende keer gaan lezen. Je kan ook gewoon aanschuiven en meeluisteren. Welkom!

ZOMER 2022
De Syllabus-leesgroepen werken toe naar een live Syllabus Summer School Retreat, in juli 2022 in Kunsthal Gent. Deze live summer school wil de vraag stellen: Hoe kunnen we terugkeren naar een ruimte van gedeelde culturele gemeenschappelijkheid na twee jaren van isolatie?

VORIG SEIZOEN
- Fragment uit SYLLABUS workshop met Silvia Federici: “On Joyful Militancy
- Eerdere Syllabus Reading Groups en events

DATA SYLLABUS 2022

ONLINE
Syllabus Reading Group #7, donderdag 24 feb 19.00 - 21.00
Syllabus Reading Group #8, donderdag 31 maart 19.00 - 20.30
Syllabus Reading Group #9, donderdag 28 april 19.00 - 20.30
Syllabus Reading Group #10, donderdag 19 mei 19.00 - 20.30
Syllabus Reading Group #11, donderdag 23 juni 19.00 - 20.30

LIVE
Syllabus Retreat 4 - 24 juli
Syllabus Summer School 21 - 24 juli

MDC KH jessejones 017 HR