#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#4: Pay what you can.|#92: We’re a learning organisation.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#54: What about disabled artists?|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#15: Kunsthal Gent aims to be an extension of public space.|#56: Take a lunch break.|#4: Pay what you can.|#92: We’re a learning organisation.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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09.12.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Te gast: Nazli Dinçel

Between Relating and Use

—US/AR, 2018, 9’, kleur, 16mm

Shape of a Surface

—TR, 2017, 9’, kleur, 16mm

Solitary Acts (4,5,6)

—US/TR, 2015, 23’ kleur, 16mm

Untitled

—US, 2016, 12’, kleur, digitaal

Instructions on How to Make a Film

—CA/VS, 2018, 13’, zwart-wit, 16mm

Nazlı Dinçels 16mm-films zijn geheel met de hand gemaakt. Zo krabt, typt, naait en stempelt ze letters op het beeld. Deze fysieke handelingen houden verband met traditionele vrouwentaken in haar Turkse opvoeding, zoals koken of tapijtweven. Haar vaak pijnlijke, gênante en seksueel geladen jeugdherinneringen duwt ze daarbij letterlijk en figuurlijk in haar films. Tekst wordt beeld, het beeld wordt lichaam.

Tickets: 8 euro /5 euro (reductie)

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