Te gast: Nazli Dinçel

#35: The artist fee should be good.|#91: Embrace doubt.|#62: Be kind. Full dishwasher: empty it.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#111: Do it together.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#91: Embrace doubt.|#62: Be kind. Full dishwasher: empty it.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#111: Do it together.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#92: We’re a learning organisation.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#117: Consider design, organisational structures and architecture as programme.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#84: The White Cube is a lie.|#64: Arrange a distribution of forces.|

09.12.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Te gast: Nazli Dinçel