#82: Clean and sterile looks professional, but really boring.|#56: Take a lunch break.|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#82: Clean and sterile looks professional, but really boring.|#56: Take a lunch break.|#36: We support production separately.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#111: Do it together.|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|
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09.12.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Te gast: Nazli Dinçel

Between Relating and Use

—US/AR, 2018, 9’, kleur, 16mm

Shape of a Surface

—TR, 2017, 9’, kleur, 16mm

Solitary Acts (4,5,6)

—US/TR, 2015, 23’ kleur, 16mm

Untitled

—US, 2016, 12’, kleur, digitaal

Instructions on How to Make a Film

—CA/VS, 2018, 13’, zwart-wit, 16mm

Nazlı Dinçels 16mm-films zijn geheel met de hand gemaakt. Zo krabt, typt, naait en stempelt ze letters op het beeld. Deze fysieke handelingen houden verband met traditionele vrouwentaken in haar Turkse opvoeding, zoals koken of tapijtweven. Haar vaak pijnlijke, gênante en seksueel geladen jeugdherinneringen duwt ze daarbij letterlijk en figuurlijk in haar films. Tekst wordt beeld, het beeld wordt lichaam.

Tickets: 8 euro /5 euro (reductie)

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