#56: Take a lunch break.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#19: Have fun at the exhibition.|#56: Take a lunch break.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#37: Operate with radical transparency.|#2: Bring something new to the city of Ghent.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#19: Have fun at the exhibition.|