#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#39: Be the early stepping stone in an artist’s career|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#84: The White Cube is a lie.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#36: We support production separately.|#62: Don’t be a dick. Full dishwasher: empty it.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#107: Build a community / scene.|#37: Operate with radical transparency.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#28: Make Contracts.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#16: Kunsthal Gent will always be a construction site.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#82: Clean and sterile looks professional, but really boring.|#39: Be the early stepping stone in an artist’s career|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#84: The White Cube is a lie.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#26: More artists, less borders.|#10: Don’t be obsessed with numbers.|#105: Kunsthal Gent is local in scale, but globally connected.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#36: We support production separately.|#62: Don’t be a dick. Full dishwasher: empty it.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#107: Build a community / scene.|#37: Operate with radical transparency.|#54: What about disabled artists?|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#28: Make Contracts.|#51: How do we invite the true unknown?|#2: Bring something new to the city of Ghent.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#94: No objections? Just do it.|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#16: Kunsthal Gent will always be a construction site.|#65: No excuses: Thursday morning, team meeting.|#15: Kunsthal Gent aims to be an extension of public space.|
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06.11—18.12.20

Evenement

THE POST COLLECTIVE:
ONLINE VOCAL PRACTICE

The Post Collective is een autonoom platform van co-creatie, co-learning en cultureel activisme gecreëerd door en voor vluchtelingen, asielzoekers, sans-papiers en medeplichtigen. Een van onze voortdurende en gezamenlijke activiteiten is het produceren en uitvoeren van stem- en tekstuele kunstwerken in verschillende contexten of gelegenheden. Tijdens de lockdown hebben we online een reeks stem- en performatieve sessies uitgevoerd. Deze bleken verrassend effectief en inspirerend, door het gebruik van sociale media zoals Jitsi en Skype op nieuwe en onorthodoxe manieren, via onze vocale en tekstuele experimenten.

We roepen nu nieuwe mensen op om met ons samen te werken in de wekelijkse online sound poetry en stempraktijken. Ervaring is niet nodig, alleen de bereidheid om je stem en taal( of talen) op nieuwe en verkennende manieren te gebruiken. We hopen een virtueel koor te vormen waar deelnemers hun eigen nummers voor gezamenlijke uitvoering schrijven en arrangeren. Dit zal geënt zijn op de verschillende taalkundige en poëtische/artistieke ervaringen en achtergronden van alle deelnemers, en hen een stem geven.

Na een inleidende sessie komen degenen die verder willen gaan regelmatig op vrijdag bijeen om materiaal te ontwikkelen voor toekomstige online publieke performances.

"Een stem betekent dit: er is een levend persoon, keel, borst, gevoelens, die deze stem de lucht in stuurt, anders dan alle andere stemmen."
- Italo Calvino (Een koning luistert)

Inleidende sessie: 06 november 11.00-13.00 uur
en IEDERE VRIJDAG om 11.00 uur

Als je wilt deelnemen, registreer dan hier uw naam en online contactgegevens.
Download Zoom en vind ons hier: https://zoom.us/j/99017738616

Luister hier naar andere scores en improvisaties.


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