#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#36: We support production separately.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#62: Don’t be a dick. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#21: Live with the exhibition, spend time with it.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#2: Bring something new to the city of Ghent.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#40: Follow the artist|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#124: Do less, do it better.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#36: We support production separately.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#62: Don’t be a dick. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#92: We’re a learning organisation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#21: Live with the exhibition, spend time with it.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#2: Bring something new to the city of Ghent.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#40: Follow the artist|#111: Do it together.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#124: Do less, do it better.|#74: Last one out turns of the lights.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#4: Pay what you can.|
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06.11—18.12.2020 11:00

Kunsthal Gent Development Programme

Pay what you can

THE POST COLLECTIVE:
ONLINE VOCAL PRACTICE

The Post Collective is een autonoom platform van co-creatie, co-learning en cultureel activisme gecreëerd door en voor vluchtelingen, asielzoekers, sans-papiers en medeplichtigen. Een van onze voortdurende en gezamenlijke activiteiten is het produceren en uitvoeren van stem- en tekstuele kunstwerken in verschillende contexten of gelegenheden. Tijdens de lockdown hebben we online een reeks stem- en performatieve sessies uitgevoerd. Deze bleken verrassend effectief en inspirerend, door het gebruik van sociale media zoals Jitsi en Skype op nieuwe en onorthodoxe manieren, via onze vocale en tekstuele experimenten.

We roepen nu nieuwe mensen op om met ons samen te werken in de wekelijkse online sound poetry en stempraktijken. Ervaring is niet nodig, alleen de bereidheid om je stem en taal( of talen) op nieuwe en verkennende manieren te gebruiken. We hopen een virtueel koor te vormen waar deelnemers hun eigen nummers voor gezamenlijke uitvoering schrijven en arrangeren. Dit zal geënt zijn op de verschillende taalkundige en poëtische/artistieke ervaringen en achtergronden van alle deelnemers, en hen een stem geven.

Na een inleidende sessie komen degenen die verder willen gaan regelmatig op vrijdag bijeen om materiaal te ontwikkelen voor toekomstige online publieke performances.

"Een stem betekent dit: er is een levend persoon, keel, borst, gevoelens, die deze stem de lucht in stuurt, anders dan alle andere stemmen."
- Italo Calvino (Een koning luistert)

Inleidende sessie: 06 november 11.00-13.00 uur
en IEDERE VRIJDAG om 11.00 uur

Als je wilt deelnemen, registreer dan hier uw naam en online contactgegevens.
Download Zoom en vind ons hier: https://zoom.us/j/99017738616

Luister hier naar andere scores en improvisaties.


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