#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#28: Make Contracts.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#17: An exhibition is never finished.|#90: The best systems have a failure or ‘a hole’ in them…|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#28: Make Contracts.|#137: Use the publication as programming space|#55: Keep basic human needs on the forefront.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#65: No excuses: Thursday morning, team meeting.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#19: Have fun at the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#17: An exhibition is never finished.|#90: The best systems have a failure or ‘a hole’ in them…|
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30.11.2018 00:00

The history and future of the Caermersklooster

Pay what you can

Talk + Film:
De Geheime Levens van Gebouwen

Roger Van Bockstaele (*1923, eredeken, Dekenij Patershol) geeft een korte lezing over de geschiedenis van het Caermersklooster (van 1287 tot heden.) Daarna stelt kunstenaar/architect Olivier Goethals aan de hand van een grote maquette de eerste scenografische ingrepen voor die vanaf december aan de geschiedenis van het gebouw worden toegevoegd. Aansluitend een informeel gesprek met publiek: hoe schrijven we een geschiedenis van het Caermersklooster?

Na de pauze tonen we 2 films:

  • De korte dansfilm 'GENT, 10 JUNI 1989, VOOR GERALDINE NEREA' (5 min) van Jan Vromman, opgenomen in de grote kerk vóór de renovatie van het Caermersklooster. Een choreografie van Alain Platel, met onder meer een jonge Johan Gimonprez.
  • De Vlaamse speelfilm Malpertuis (1971, 119 min) van Harry Kümel, waarin - naast Orson Welles - de monumentale 18e-eeuwse houten trap van het Caermersklooster een belangrijke rol speelt. De film werd onder meer opgenomen in het Patershol en speelt in een gigantisch huis met een eindeloze wirwar van gangen, etages en kamers, inclusief een toren die tot aan de hemel en diep onder de grond reikt.
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