#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#54: What about disabled artists?|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#26: More artists, less borders.|#56: Take a lunch break.|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#15: Kunsthal Gent aims to be an extension of public space.|#119: Be a space of production.|#40: Follow the artist|#21: Live with the exhibition, spend time with it.|#14: Can you also remain a toddler institution?|#61: No all male install teams.|#54: What about disabled artists?|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#62: Be kind. Full dishwasher: empty it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#107: Build a community / scene.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#26: More artists, less borders.|#56: Take a lunch break.|#20: Are exhibitions the most suitable form for the art that we present?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#15: Kunsthal Gent aims to be an extension of public space.|#119: Be a space of production.|#40: Follow the artist|
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21.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young and the Beautiful: Maya Deren + Anna De Sutter 

Meshes of the Afternoon, Maya Deren & Alexander Hamid
—US, 1943, 14’, zwart-wit, 16mm


At Land, Maya Deren
—US, 1944, 14’, zwart-wit, 16mm


The Sublimation of Anna De Sutter, Anna De Sutter
—BE, 2019, 16’, kleur, digitaal



“Each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.”
- Maya Deren

Ticket: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/the-young-and-the-beautiful-maya-deren-anna-de-sutter/

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