#4: Pay what you can.|#14: Can you also remain a toddler institution?|#20: Are exhibitions the most suitable form for the art that we present?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#94: No objections? Just do it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#20: Are exhibitions the most suitable form for the art that we present?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#94: No objections? Just do it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|
