#3: Entrance to all exhibitions at Kunsthal Gent is free.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#35: The artist fee should be good.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#37: Operate with radical transparency.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#54: What about disabled artists?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#19: Have fun at the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#35: The artist fee should be good.|#36: We support production separately.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#84: The White Cube is a lie.|#90: The best systems have a failure or ‘a hole’ in them…|
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21.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young and the Beautiful: Maya Deren + Anna De Sutter 

Meshes of the Afternoon, Maya Deren & Alexander Hamid
—US, 1943, 14’, zwart-wit, 16mm


At Land, Maya Deren
—US, 1944, 14’, zwart-wit, 16mm


The Sublimation of Anna De Sutter, Anna De Sutter
—BE, 2019, 16’, kleur, digitaal



“Each individual is the center of a personal vortex; and the aggressive variety and enormity of the adventures which swirl about and confront him are unified only by his personal identity.... The integrity of the individual identity is counterpointed to the volatile character of a relativistic universe.”
- Maya Deren

Ticket: 8 euro / 5 euro (reductie)

Voor meer informatie:
https://offoff.be/events/the-young-and-the-beautiful-maya-deren-anna-de-sutter/

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