#94: No objections? Just do it.|#119: Be a space of production.|#34: We pay artists.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#127: Remain practical: what happens to the work in an endless exhibition?|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#119: Be a space of production.|#34: We pay artists.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#30: Don’t work with artists who are assholes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#127: Remain practical: what happens to the work in an endless exhibition?|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#124: Do less, do it better.|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|