#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#91: Embrace doubt.|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#19: Have fun at the exhibition.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#91: Embrace doubt.|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, zwart-wit, HD digitaal

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, zwart-wit, geluid, digitaal

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, kleur, digitaal

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)