#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#37: Operate with radical transparency.|#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#17: An exhibition is never finished.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#35: The artist fee should be good.|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#132: Things will always look weird when you’re the first doing it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#37: Operate with radical transparency.|#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#28: Make Contracts.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#26: More artists, less borders.|#17: An exhibition is never finished.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#35: The artist fee should be good.|