#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#14: Can you also remain a toddler institution?|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#35: The artist fee should be good.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#37: Operate with radical transparency.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#61: No all male install teams.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#14: Can you also remain a toddler institution?|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#40: Follow the artist|#15: Kunsthal Gent aims to be an extension of public space.|#39: Be the early stepping stone in an artist’s career|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|
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11.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
The Young & the Beautiful: Guernica/Perséphone/ Les Choses Qu’On Laisse Tomber et Qui Roulent

Guernica, Robert Hessens & Alain Resnais

—FR, 1951, 13’, zwart-wit, HD digitaal

Perséphone, Luc De Heusch (als Luc Zangrie)

—BE, 1950, zwart-wit, geluid, digitaal

Pourquoi on ne laisse pas tomber: Les Choses Qu’On Laisse Tomber et Qui Roulent, La Chambre Automatique

—BE, 2018, 26’, kleur, digitaal

“Je souhaite approcher par le film la complexité de la pensée, son mécanisme interne. Dès qu'on descend dans l'inconscient, l'émotion naît. Et le cinéma ne devrait être qu'un montage d'émotions.”

- Alain Resnais

Ticket: 8 euro / 5 euro (reductie)