#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#119: Be a space of production.|#19: Have fun at the exhibition.|#54: What about disabled artists?|#111: Do it together.|#36: We support production separately.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#137: Use the publication as programming space|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#119: Be a space of production.|#19: Have fun at the exhibition.|#54: What about disabled artists?|#111: Do it together.|#36: We support production separately.|#81: Things come alive when there is friction.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#16: Kunsthal Gent will always be a construction site.|#53: Immaterial support for artists is important.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#137: Use the publication as programming space|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#68: Once in a while we need to get out of utopia and get something done.|#32: Be pan-gender polyphonic.|