#28: Make Contracts.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|
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29.03.2019 01:00

Lezing door de kunstenaars

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

Donderdag 28 maart organiseren Thomas Min & Egon Van Herreweghe een livestream filmvertoning over Muscle Beach waarvan ze de omheining in de Kunsthal Gent nagebouwd hebben.

De beelden worden gestreamd vanuit Venice Beach (Los Angeles, CA) en live van montage en geluid voorzien. Door in te zoomen op Muscle Beach teleporteren ze de kunstliefhebbers en nieuwsgierigen als het ware naar de West Coast van de VS om het contrast tussen beide locaties te belichten. Want terwijl wij de dag afsluiten ligt Venice Beach nog in de zon te blinken.

Drie jaar terug hadden Thomas Min & Egon Van Herreweghe de omheining van Muscle Beach al in het vizier. Dat ze de installatie anno 2019 full scale zouden nabouwen hadden ze toen niet durven voorspellen. Tot eind mei is het werk integraal te zien in Kunsthal Gent. Nadien zullen de kunstenaars regelmatig een stuk uitsnijden en verplaatsen naar private en publieke locaties. Maar voor het zover is willen Min en Van Herreweghe nog eens inzoomen op hun ‘liefde op het eerste gezicht’.

De livestream filmvertoning gaat door op donderdag 28 maart van 22u tot 01:00 s’nachts en is de hele tijd vrij toegankelijk. Adres: Kunsthal Gent, Lange Steenstraat 14, 9000 Gent, www.kunsthal.gent

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