#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#137: Use the publication as programming space|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#35: The artist fee should be good.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#34: We pay artists.|#137: Use the publication as programming space|#94: No objections? Just do it.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|
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29.03.2019 01:00

Lezing door de kunstenaars

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

Donderdag 28 maart organiseren Thomas Min & Egon Van Herreweghe een livestream filmvertoning over Muscle Beach waarvan ze de omheining in de Kunsthal Gent nagebouwd hebben.

De beelden worden gestreamd vanuit Venice Beach (Los Angeles, CA) en live van montage en geluid voorzien. Door in te zoomen op Muscle Beach teleporteren ze de kunstliefhebbers en nieuwsgierigen als het ware naar de West Coast van de VS om het contrast tussen beide locaties te belichten. Want terwijl wij de dag afsluiten ligt Venice Beach nog in de zon te blinken.

Drie jaar terug hadden Thomas Min & Egon Van Herreweghe de omheining van Muscle Beach al in het vizier. Dat ze de installatie anno 2019 full scale zouden nabouwen hadden ze toen niet durven voorspellen. Tot eind mei is het werk integraal te zien in Kunsthal Gent. Nadien zullen de kunstenaars regelmatig een stuk uitsnijden en verplaatsen naar private en publieke locaties. Maar voor het zover is willen Min en Van Herreweghe nog eens inzoomen op hun ‘liefde op het eerste gezicht’.

De livestream filmvertoning gaat door op donderdag 28 maart van 22u tot 01:00 s’nachts en is de hele tijd vrij toegankelijk. Adres: Kunsthal Gent, Lange Steenstraat 14, 9000 Gent, www.kunsthal.gent

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