#28: Make Contracts.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#28: Make Contracts.|#44: No name tags at dinner.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#107: Build a community / scene.|#54: What about disabled artists?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|
