#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#34: We pay artists.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#40: Follow the artist|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#34: We pay artists.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#37: Operate with radical transparency.|#19: Have fun at the exhibition.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#26: More artists, less borders.|#15: Kunsthal Gent aims to be an extension of public space.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#40: Follow the artist|
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29.03.2019 01:00

Lezing door de kunstenaars

Pay what you can

Thomas Min & Egon van Herreweghe:
Time to get in shape

Donderdag 28 maart organiseren Thomas Min & Egon Van Herreweghe een livestream filmvertoning over Muscle Beach waarvan ze de omheining in de Kunsthal Gent nagebouwd hebben.

De beelden worden gestreamd vanuit Venice Beach (Los Angeles, CA) en live van montage en geluid voorzien. Door in te zoomen op Muscle Beach teleporteren ze de kunstliefhebbers en nieuwsgierigen als het ware naar de West Coast van de VS om het contrast tussen beide locaties te belichten. Want terwijl wij de dag afsluiten ligt Venice Beach nog in de zon te blinken.

Drie jaar terug hadden Thomas Min & Egon Van Herreweghe de omheining van Muscle Beach al in het vizier. Dat ze de installatie anno 2019 full scale zouden nabouwen hadden ze toen niet durven voorspellen. Tot eind mei is het werk integraal te zien in Kunsthal Gent. Nadien zullen de kunstenaars regelmatig een stuk uitsnijden en verplaatsen naar private en publieke locaties. Maar voor het zover is willen Min en Van Herreweghe nog eens inzoomen op hun ‘liefde op het eerste gezicht’.

De livestream filmvertoning gaat door op donderdag 28 maart van 22u tot 01:00 s’nachts en is de hele tijd vrij toegankelijk. Adres: Kunsthal Gent, Lange Steenstraat 14, 9000 Gent, www.kunsthal.gent

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