#124: Do less, do it better.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#6: Demand that visitors are active.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#124: Do less, do it better.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#53: Immaterial support for artists is important.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#84: The White Cube is a lie.|#6: Demand that visitors are active.|#91: Embrace doubt.|#105: Kunsthal Gent is local in scale, but globally connected.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|
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08.12.2022 17:00

Doctoraatsverdediging

Pay what you can

Tine Guns: “Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Tine Guns (onderzoekseenheid Image) verdedigt haar doctoraatsonderzoek in de kunsten:

“Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Het doctoraat werd begeleid door promotor dr. Isolde Vanhee (LUCA School of Arts / KU Leuven), co-promotor Inge Ketelers (LUCA School of Arts), dr. Sofie Verdoodt (Sint-Lucas Antwerpen) en dr. Geert Goiris (Koninklijke Academie voor Schone Kunsten Antwerpen).

De juryleden zijn:

De openbare verdediging vindt plaats op donderdag 8 december om 17:00 in Kunsthal Gent. Vanaf 19:30 wordt er een receptie aangeboden. U kan zich tot en met woensdag 7 december hier voor de verdediging inschrijven door het aankopen van een gratis ticket.

Inschrijven
Tine Guns