#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#2: Bring something new to the city of Ghent.|#99: Evolve according to changing needs.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#56: Take a lunch break.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#39: Be the early stepping stone in an artist’s career|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#10: Don’t be obsessed with numbers.|#82: Clean and sterile looks professional, but really boring.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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08.12.2022 17:00

Doctoraatsverdediging

Pay what you can

Tine Guns: “Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Tine Guns (onderzoekseenheid Image) verdedigt haar doctoraatsonderzoek in de kunsten:

“Het fotoboek als visuele pageturner. Bewegen en bewogen worden”

Het doctoraat werd begeleid door promotor dr. Isolde Vanhee (LUCA School of Arts / KU Leuven), co-promotor Inge Ketelers (LUCA School of Arts), dr. Sofie Verdoodt (Sint-Lucas Antwerpen) en dr. Geert Goiris (Koninklijke Academie voor Schone Kunsten Antwerpen).

De juryleden zijn:

De openbare verdediging vindt plaats op donderdag 8 december 2022 om 17u00 in Kunsthal Gent. Vanaf 19u30 wordt er een receptie aangeboden. U kan zich tot en met woensdag 7 december hier voor de verdediging inschrijven door het aankopen van een gratis ticket.

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Tine Guns