UFO Public Programme #3: FOR ARTISTS

#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#56: Take a lunch break.|#107: Build a community / scene.|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#56: Take a lunch break.|#107: Build a community / scene.|#54: What about disabled artists?|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#37: Operate with radical transparency.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|

20.10.2022 18:00

Platform UFO & Kunstenpunt

Pay what you can

UFO Public Programme #3: FOR ARTISTS