#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#26: More artists, less borders.|#62: Be kind. Full dishwasher: empty it.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#68: Once in a while we need to get out of utopia and get something done.|#81: Things come alive when there is friction.|#91: Embrace doubt.|#64: Arrange a distribution of forces.|#20: Are exhibitions the most suitable form for the art that we present?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#39: Be the early stepping stone in an artist’s career|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#26: More artists, less borders.|#62: Be kind. Full dishwasher: empty it.|#16: Kunsthal Gent will always be a construction site.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|
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05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

donderdag 5 september:
20:00 deuren
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21u30 Köhn (Köhn 1 quadrafonisch)

vrijdag 6 september:
20:00 deuren
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal, Lange Steenstraat 14, 9000 Gent
inkom 10€, 16€ (twee avonden)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

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