#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#111: Do it together.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#54: What about disabled artists?|#91: Embrace doubt.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#111: Do it together.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#54: What about disabled artists?|#91: Embrace doubt.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#82: Clean and sterile looks professional, but really boring.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

donderdag 5 september:
20:00 deuren
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21u30 Köhn (Köhn 1 quadrafonisch)

vrijdag 6 september:
20:00 deuren
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal, Lange Steenstraat 14, 9000 Gent
inkom 10€, 16€ (twee avonden)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

68452104 2388569187890821 7325653823882526720 o