#10: Don’t be obsessed with numbers.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#4: Pay what you can.|#84: The White Cube is a lie.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#4: Pay what you can.|#84: The White Cube is a lie.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#32: Be pan-gender polyphonic.|#65: No excuses: Thursday morning, team meeting.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#26: More artists, less borders.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|
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05—06.09.2019 20:00

Pay what you can

Uitgeverij het balanseer nodigt uit:

donderdag 5 september:
20:00 deuren
20:30 Colette Broeckaert & A. De Causmaecker
Markéta de Borggraef & Frederik Croene
21u30 Köhn (Köhn 1 quadrafonisch)

vrijdag 6 september:
20:00 deuren
20:30 Carolina Rizzi & Omar Grandoso
21:30 Frederik Croene (Cul de Sac)

Kunsthal, Lange Steenstraat 14, 9000 Gent
inkom 10€, 16€ (twee avonden)

het balanseer / Kunsthal Gent / KRAAK / Quatremains

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