#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#26: More artists, less borders.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#28: Make Contracts.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#82: Clean and sterile looks professional, but really boring.|#44: No name tags at dinner.|#26: More artists, less borders.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#2: Bring something new to the city of Ghent.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#74: Last one out turns of the lights.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#28: Make Contracts.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie

24.11.2019 11:00

finissage tentoonstelling

Pay what you can

de vylder vinck tailleu:
Unless Ever People

Finissage van de tentoonstelling UNLESS EVER PEOPLE / CARITAS FOR FREESPACE
Zondag 24 november, 11:00 - 18:00

Welkom voor de finissage van UNLESS EVER PEOPLE / CARITAS FOR FREESPACE, een tentoonstelling van het Gentse architectenbureau de vylder vinck taillieu. De tentoonstelling is een weergave van het project CARITAS, dat het bureau realiseerde op de site van het Psychiatrisch Centrum Karus in Melle nabij Gent. Het bureau vrijwaarde het verouderde Sint-Jozefgebouw van sloop en gaf de ‘ruïne’ een mooie, nieuwe rol als therapeutische ruimte. Een eerdere versie van deze tentoonstelling won de Zilveren Leeuw voor jong en beloftevol werk op de Biennale Architettura 2018 in Venetië en is voor het eerst in België te zien.

MDC KH DV 1 001 LR

GERELATEERDE TENTOONSTELLINGEN