#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#56: Take a lunch break.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#124: Do less, do it better.|#10: Don’t be obsessed with numbers.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#132: Things will always look weird when you’re the first doing it.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#15: Kunsthal Gent aims to be an extension of public space.|#98: The success of it will not lie in the result but in the process.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#127: Remain practical: what happens to the work in an endless exhibition?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#56: Take a lunch break.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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24.11.2019 11:00

finissage tentoonstelling

Pay what you can

de vylder vinck tailleu:
Unless Ever People

Finissage van de tentoonstelling UNLESS EVER PEOPLE / CARITAS FOR FREESPACE
Zondag 24 november, 11:00 - 18:00

Welkom voor de finissage van UNLESS EVER PEOPLE / CARITAS FOR FREESPACE, een tentoonstelling van het Gentse architectenbureau de vylder vinck taillieu. De tentoonstelling is een weergave van het project CARITAS, dat het bureau realiseerde op de site van het Psychiatrisch Centrum Karus in Melle nabij Gent. Het bureau vrijwaarde het verouderde Sint-Jozefgebouw van sloop en gaf de ‘ruïne’ een mooie, nieuwe rol als therapeutische ruimte. Een eerdere versie van deze tentoonstelling won de Zilveren Leeuw voor jong en beloftevol werk op de Biennale Architettura 2018 in Venetië en is voor het eerst in België te zien.

MDC KH DV 1 001 LR

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