#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#107: Build a community / scene.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#30: Don’t work with artists who are assholes.|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#39: Be the early stepping stone in an artist’s career|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
