Vrijdagavonden: Loch Ness

#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#36: We support production separately.|#137: Use the publication as programming space|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#53: Immaterial support for artists is important.|#61: No all male install teams.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#91: Embrace doubt.|#59: Always protect the floor when painting (or pouring concrete)|#111: Do it together.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#36: We support production separately.|#137: Use the publication as programming space|#107: Build a community / scene.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#37: Operate with radical transparency.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#92: We’re a learning organisation.|#53: Immaterial support for artists is important.|#61: No all male install teams.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|

07.04.2023 19:00

Oude Kapel wordt modulaire ruimte

Pay what you can

Vrijdagavonden: Lochness — Nessy Xtreme