#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#4: Pay what you can.|#64: Arrange a distribution of forces.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#34: We pay artists.|#105: Kunsthal Gent is local in scale, but globally connected.|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#32: Be pan-gender polyphonic.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#30: Don’t work with artists who are assholes.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#112: Spaces today don’t need to be curated, but occupied.|#81: Things come alive when there is friction.|#4: Pay what you can.|#64: Arrange a distribution of forces.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#55: Keep basic human needs on the forefront.|#107: Build a community / scene.|#34: We pay artists.|
