#14: Can you also remain a toddler institution?|#54: What about disabled artists?|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#28: Make Contracts.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#89: Build-in impurity within the organisation.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#54: What about disabled artists?|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#37: Operate with radical transparency.|#28: Make Contracts.|#36: We support production separately.|#62: Be kind. Full dishwasher: empty it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#89: Build-in impurity within the organisation.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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16.11.2018 00:00

Pay what you can

Arno van Roosmalen:
Where is the Exhibition

Over een nieuwe, onderzoekende programma-opzet van Stroom Den Haag

Arno van Roosmalen licht zijn ideeën toe voor het nieuwe programmaformat van Stroom, "Where's the exhibition?". Doorgaans is een reeks tentoonstellingen de ruggengraat van het programma van een presentatie-instelling. Stroom zet de komende jaren in op 6 programmalijnen die voor een groot deel onderzoekend van aard zijn en waarmee de organisatie zich heroriënteert op de relatie met de omgeving, met kunstenaars en haar positie herijkt. De nieuwe ruggengraat wordt gevormd door een langdurige, ‘niet doelgerichte’ en intieme relatie met een kleine selectie kunstenaars met een maatschappelijk geëngageerde praktijk. Volgens Van Roosmalen zijn hedendaagse kunstorganisaties onvoldoende toegerust om dit soort praktijken effectief te bemiddelen. Stroom roept de tentoonstellingsmachine een halt toe en werkt toe naar een organisatie die inspanningen verricht om sterke verbindingen met maatschappelijke partijen tot stand te brengen.

Arno van Roosmalen is directeur van Stroom Den Haag