#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#36: We support production separately.|#74: Last one out turns of the lights.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#36: We support production separately.|#74: Last one out turns of the lights.|#16: Kunsthal Gent will always be a construction site.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#56: Take a lunch break.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|
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16.11.2018 00:00

Pay what you can

Arno van Roosmalen:
Where is the Exhibition

Over een nieuwe, onderzoekende programma-opzet van Stroom Den Haag

Arno van Roosmalen licht zijn ideeën toe voor het nieuwe programmaformat van Stroom, "Where's the exhibition?". Doorgaans is een reeks tentoonstellingen de ruggengraat van het programma van een presentatie-instelling. Stroom zet de komende jaren in op 6 programmalijnen die voor een groot deel onderzoekend van aard zijn en waarmee de organisatie zich heroriënteert op de relatie met de omgeving, met kunstenaars en haar positie herijkt. De nieuwe ruggengraat wordt gevormd door een langdurige, ‘niet doelgerichte’ en intieme relatie met een kleine selectie kunstenaars met een maatschappelijk geëngageerde praktijk. Volgens Van Roosmalen zijn hedendaagse kunstorganisaties onvoldoende toegerust om dit soort praktijken effectief te bemiddelen. Stroom roept de tentoonstellingsmachine een halt toe en werkt toe naar een organisatie die inspanningen verricht om sterke verbindingen met maatschappelijke partijen tot stand te brengen.

Arno van Roosmalen is directeur van Stroom Den Haag