#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|