#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#74: Last one out turns of the lights.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#56: Take a lunch break.|#127: Remain practical: what happens to the work in an endless exhibition?|#94: No objections? Just do it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#74: Last one out turns of the lights.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#2: Bring something new to the city of Ghent.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#36: We support production separately.|#54: What about disabled artists?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#56: Take a lunch break.|