Zine happening V

#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#111: Do it together.|#19: Have fun at the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#107: Build a community / scene.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#17: An exhibition is never finished.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#111: Do it together.|#19: Have fun at the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#107: Build a community / scene.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#137: Use the publication as programming space|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#112: Spaces today don’t need to be curated, but occupied.|

11—12.05.2019 12:00

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Zine happening V