Zine Happening VI (take 2)

#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#15: Kunsthal Gent aims to be an extension of public space.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#40: Follow the artist|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#30: Don’t work with artists who are assholes.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#44: No name tags at dinner.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#15: Kunsthal Gent aims to be an extension of public space.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#6: Demand that visitors are active.|#51: How do we invite the true unknown?|

24—25.04.2021 11:00

Pop-up bookshop & exhibition

Pay what you can

Les VoiZines:
Zine Happening VI (take 2)