Zine Happening VI (take 2)

#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#51: How do we invite the true unknown?|#59: Always protect the floor when painting (or pouring concrete)|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#90: The best systems have a failure or ‘a hole’ in them…|#81: Things come alive when there is friction.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|

24—25.04.2021 11:00

Pop-up bookshop & exhibition

Pay what you can

Les VoiZines:
Zine Happening VI (take 2)