#4: Pay what you can.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#119: Be a space of production.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#4: Pay what you can.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#119: Be a space of production.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#2: Bring something new to the city of Ghent.|#98: The success of it will not lie in the result but in the process.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
