#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#20: Are exhibitions the most suitable form for the art that we present?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#54: What about disabled artists?|#82: Clean and sterile looks professional, but really boring.|#37: Operate with radical transparency.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#28: Make Contracts.|#59: Always protect the floor when painting (or pouring concrete)|#89: Build-in impurity within the organisation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#137: Use the publication as programming space|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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