#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#124: Do less, do it better.|#99: Evolve according to changing needs.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#19: Have fun at the exhibition.|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#28: Make Contracts.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|
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