#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#105: Kunsthal Gent is local in scale, but globally connected.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#34: We pay artists.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#62: Be kind. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
