#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#84: The White Cube is a lie.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#35: The artist fee should be good.|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#19: Have fun at the exhibition.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#91: Embrace doubt.|#90: The best systems have a failure or ‘a hole’ in them…|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#39: Be the early stepping stone in an artist’s career|#84: The White Cube is a lie.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#53: Immaterial support for artists is important.|#119: Be a space of production.|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#124: Do less, do it better.|#35: The artist fee should be good.|#40: Follow the artist|#2: Bring something new to the city of Ghent.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#107: Build a community / scene.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#10: Don’t be obsessed with numbers.|#54: What about disabled artists?|#16: Kunsthal Gent will always be a construction site.|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#74: Last one out turns of the lights.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#89: Build-in impurity within the organisation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#4: Pay what you can.|#14: Can you also remain a toddler institution?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|
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Per fiets

Stippel vlot uw fietstraject uit met de gratis fietskaart of met de online fietsrouteplanner van Stad Gent. De fietskaart kunt u gratis ophalen in de Stadswinkel, bij alle fietspunten van De Fietsambassade Gent en bij het Mobiliteitsbedrijf. De kaart toont u de hoofdfietsroutes en de aanvullende routes.

Met de tram vanuit Gent-Sint-Pieters
  • Tram 1 richting Wondelgem / Evergem. Afstappen aan halte Gravensteen. Wandel langs de Geldmunt tot deze overgaat in de Lange Steenstraat (volg de bocht naar rechts) op uw rechterkant ziet u Kunsthal Gent.
  • Tram 4 richting Muide (Gentbrugge Moscou – UZ). Afstappen aan halte Lange Steenstraat.
Met de taxi

Op www.elektrischetaxis.be staan alle Gentse taxi-ondernemingen die elektrische taxi's aanbieden. Deze zijn geen cent duurder dan gewone taxi's, veroorzaken geen luchtvervuiling, en zijn wél even comfortabel. Samen houden we onze Gentse lucht proper!

Met De Wagen

Kunsthal Gent ligt in autovrij gebied. De Lange Steenstraat zelf ligt niet in het autovrij gebied maar grenst er wel aan.

Voor het parkeren raden we het volgende aan: komende van de E40 of E17 neemt u de afrit Gent-Centrum en volgt u de P-route naar Parking Vrijdagmarkt. In deze parking kan u uw wagen betalend parkeren en bent u vlakbij.

Om de luchtkwaliteit te verbeteren, is de Gentse binnenstad of het gebied binnen de R40 vanaf 1 januari 2020 een lage-emissiezone (LEZ). De meest vervuilende voertuigen mogen de zone niet langer inrijden. Vermijd een boete en check altijd je voertuig voor je naar Gent komt.

Liever niet met de auto de binnenstad in? Maak dan gebruik van de gratis parkeerzones Park&Ride aan de rand van de stad en kom met het openbaar vervoer naar het museum. De dichtstbijzijnde parkings met verbinding tot het openbaar vervoer zijn P+R Galveston (€), P+R Muide (gratis) and P+R Weba/Decathlon (gratis). Meer informatie over het openbaar vervoer van aan de P+R-zones en een overzicht op kaart.

Autocar

Autocars kunnen in Gent toeristen laten in- en uitstappen aan station Gent-Dampoort en aan de Bijlokesite (Godshuizenlaan). Van daaruit is de binnenstad gemakkelijk te voet te bereiken. Autocars kunnen 30 minuten (gratis) stilstaan op de Godshuizenlaan en op de Bijlokekaai. Op de parking Dampoort is langer parkeren mogelijk. Autocars kunnen volledig gratis parkeren op de Yachtdreef. Daar geldt ook geen parkeerduurbeperking.