#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#15: Kunsthal Gent aims to be an extension of public space.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#127: Remain practical: what happens to the work in an endless exhibition?|#4: Pay what you can.|#137: Use the publication as programming space|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#15: Kunsthal Gent aims to be an extension of public space.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#6: Demand that visitors are active.|#44: No name tags at dinner.|#84: The White Cube is a lie.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
