#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#111: Do it together.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#81: Things come alive when there is friction.|#29: We make the program for the artist that we exhibit.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#92: We’re a learning organisation.|#111: Do it together.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#2: Bring something new to the city of Ghent.|#62: Be kind. Full dishwasher: empty it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|
