#81: Things come alive when there is friction.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#111: Do it together.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#117: Consider design, organisational structures and architecture as programme.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#107: Build a community / scene.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#19: Have fun at the exhibition.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#54: What about disabled artists?|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#51: How do we invite the true unknown?|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#137: Use the publication as programming space|#111: Do it together.|#40: Follow the artist|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#84: The White Cube is a lie.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#117: Consider design, organisational structures and architecture as programme.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#6: Demand that visitors are active.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#91: Embrace doubt.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#15: Kunsthal Gent aims to be an extension of public space.|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#107: Build a community / scene.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#34: We pay artists.|#112: Spaces today don’t need to be curated, but occupied.|#90: The best systems have a failure or ‘a hole’ in them…|#19: Have fun at the exhibition.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#29: We make the program for the artist that we exhibit.|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#54: What about disabled artists?|#35: The artist fee should be good.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie
Kunsthal Gent – Lange Steenstraat 14 – 9000 GENT

In het weekend is Kunsthal Gent een tentoonstellingsruimte die gratis te bezoeken is.

Op werkdagen is het een werkplek voor kunstenaars en artistieke organisaties, maar vinden er ook publieke activiteiten plaats: van lezingen en workshops tot screenings en performances.

Openingsuren

Zaterdag en zondag van 11.00 tot 18.00 uur

Toegangsprijs

Een bezoek aan Kunsthal Gent is gratis.

Na een bezoek kan je een gift achterlaten volgens het principe pay what you can.

Wat is redelijk? Een museumbezoek in Gent kost tussen 6 en 15 euro (standaardtarief).

Op evenementen door partners kan eventueel een toegangsprijs gelden.

UiTPAS

Kunsthal Gent is een UiTPASpartner. UiTPAS is een spaar- en voordeelkaart voor allerlei vrijetijdsactiviteiten in Gent. Kom je langs bij Kunsthal Gent? Vergeet dan zeker je UiTPAS niet en spaar een punt!

Meer info over UiTPAS