#29: We make the program for the artist that we exhibit.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#44: No name tags at dinner.|#62: Don’t be a dick. Full dishwasher: empty it.|#36: We support production separately.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#40: Follow the artist|#61: No all male install teams.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#107: Build a community / scene.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#56: Take a lunch break.|#6: Demand that visitors are active.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#59: Always protect the floor when painting (or pouring concrete)|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#44: No name tags at dinner.|#62: Don’t be a dick. Full dishwasher: empty it.|#36: We support production separately.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#54: What about disabled artists?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#4: Pay what you can.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#40: Follow the artist|#61: No all male install teams.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#98: The success of it will not lie in the result but in the process.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#107: Build a community / scene.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#119: Be a space of production.|#56: Take a lunch break.|#6: Demand that visitors are active.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#99: Evolve according to changing needs.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#55: Keep basic human needs on the forefront.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|
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WELKOM IN KUNSTHAL GENT!

Vanaf zaterdag 12 december is Kunsthal Gent terug open voor bezoekers.

Tijdens de normale openingsuren op zaterdag en zondag, van 11.00 tot 18.00 uur.

De volgende maatregelen verzekeren voor iedereen aangenaam en veilig bezoek.

Voor je bezoek
  • Reserveren doe je best op voorhand. Reserveer via deze link. Beperk je tot je sociale bubbel.
  • Tijdslots starten telkens op het uur, tussen 11.00 en 18.00 uur (het laatste tijdslot is om 17.00 uur).
  • Ook als je niet reserveerde op voorhand, ben je van harte welkom. We bekijken aan de balie of er voldoende capaciteit is.
Tijdens je bezoek
  • Het dragen van een mondmasker is verplicht vanaf 12 jaar. Mondmaskers zijn te koop aan de balie.
  • Bij aankomst meldt de persoon die reserveerde zich aan de balie. De rest van de bubbel wacht eventjes aan de deur.
  • Gebruik de voorziene alcoholgel.
  • Je houd de zaalteksten bij tijdens je bezoek en neem ze achteraf mee of laat ze achter in de prullenmand (zaalteksten worden niet opnieuw uitgedeeld).
  • Er zijn toiletten voorzien. Deze worden regelmatig schoongemaakt.
  • Hou 1,5 m afstand van andere bezoekers en het museumpersoneel.
  • Beperk je bezoek tot 1 uur.
Bescherm jezelf en anderen
  • Was je handen regelmatig en grondig met zeep.
  • Hoest of nies in een papieren zakdoekje of in de binnenkant van je elleboog.
  • Gebruik papieren zakdoekjes en gooi ze weg in een afsluitbare vuilnisbak.
  • Blijf thuis als je zelf ziek bent.
  • Raak je gezicht zo weinig mogelijk aan met je handen.
  • Vermijd handen geven.
  • Vermijd nauw contact met personen die ziek zijn.