#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#40: Follow the artist|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#124: Do less, do it better.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#53: Immaterial support for artists is important.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#40: Follow the artist|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
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De Gentse gidsenvereniging Gandante biedt rondleidingen aan met een gids in Kunsthal Gent. Daarin ligt de focus op het artistieke verhaal van Kunstal Gent én op de rijke geschiedenis van het Caermersklooster.

  • Een rondleiding voor een groep van 1 uur kost 60 euro, een rondleiding tot 2 uur kost 90 euro. Mail info@gandante.be voor informatie en boekingen.
  • Regelmatig vinden ook open rondleidingen plaats, vanaf 8 euro per persoon. Data, inschrijven en meer informatie via de website van Gandante.