#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#111: Do it together.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#111: Do it together.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|
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Een bezoek in groep aan Kunsthal Gent?

Tijdens de week zet Kunsthal Gent zijn deuren graag open voor groepen en scholen. Stuur een mail met je wensen via onderstaande knop. Dan stellen we samen een op maat gemaakt bezoek aan Kunsthal Gent op.

Ook de Gentse gidsenvereniging Gandante biedt rondleidingen aan met een gids in Kunsthal Gent. Daarin ligt de focus op de rijke geschiedenis van het Caermersklooster. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling komt aan bod, maar ook de rijke geschiedenis van het veertiende-eeuwse Karmelietenklooster

  • Een rondleiding voor een groep van 1 uur kost 60 euro, een rondleiding tot 2 uur kost 90 euro. Mail info@gandante.be voor informatie en boekingen.
  • Regelmatig vinden ook open rondleidingen plaats, vanaf 8 euro per persoon. Data, inschrijven en meer informatie via de website van Gandante.