#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|