#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#111: Do it together.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#92: We’re a learning organisation.|#111: Do it together.|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#82: Clean and sterile looks professional, but really boring.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#44: No name tags at dinner.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#17: An exhibition is never finished.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#90: The best systems have a failure or ‘a hole’ in them…|