#17: An exhibition is never finished.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#91: Embrace doubt.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#17: An exhibition is never finished.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#36: We support production separately.|#91: Embrace doubt.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#44: No name tags at dinner.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#20: Are exhibitions the most suitable form for the art that we present?|#92: We’re a learning organisation.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|