#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#137: Use the publication as programming space|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#44: No name tags at dinner.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#64: Arrange a distribution of forces.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#91: Embrace doubt.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#137: Use the publication as programming space|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#44: No name tags at dinner.|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#34: We pay artists.|#64: Arrange a distribution of forces.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#37: Operate with radical transparency.|