#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#4: Pay what you can.|#68: Once in a while we need to get out of utopia and get something done.|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#36: We support production separately.|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#81: Things come alive when there is friction.|#59: Always protect the floor when painting (or pouring concrete)|#40: Follow the artist|#64: Arrange a distribution of forces.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#30: Don’t work with artists who are assholes.|#6: Demand that visitors are active.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#20: Are exhibitions the most suitable form for the art that we present?|