#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#81: Things come alive when there is friction.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#94: No objections? Just do it.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#68: Once in a while we need to get out of utopia and get something done.|#30: Don’t work with artists who are assholes.|#29: We make the program for the artist that we exhibit.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#6: Demand that visitors are active.|
Deze website maakt gebruik van cookies om uw gebruikservaring te verbeteren. Meer informatie
Een bezoek in groep aan Kunsthal Gent?

Tijdens de week zet Kunsthal Gent zijn deuren graag open voor groepen en scholen. Stuur een mail met je wensen via onderstaande knop. Dan stellen we samen een op maat gemaakt bezoek aan Kunsthal Gent op.

Ook de Gentse gidsenvereniging Gandante biedt rondleidingen aan met een gids in Kunsthal Gent. Daarin ligt de focus op de rijke geschiedenis van het Caermersklooster. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling komt aan bod, maar ook de rijke geschiedenis van het veertiende-eeuwse Karmelietenklooster

  • Een rondleiding voor een groep van 1 uur kost 80 euro, een rondleiding tot 2 uur kost 110 euro. Mail info@gandante.be voor informatie en boekingen.
  • Regelmatig vinden ook open rondleidingen plaats, vanaf 10 euro per persoon. Data, inschrijven en meer informatie via de website van Gandante.