#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#119: Be a space of production.|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#30: Don’t work with artists who are assholes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|#68: Once in a while we need to get out of utopia and get something done.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#119: Be a space of production.|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#65: No excuses: Thursday morning, team meeting.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#30: Don’t work with artists who are assholes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|
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Een bezoek in groep aan Kunsthal Gent?

Tijdens de week zet Kunsthal Gent zijn deuren graag open voor groepen en scholen. Stuur een mail met je wensen via onderstaande knop. Dan stellen we samen een op maat gemaakt bezoek aan Kunsthal Gent op.

Prijzen:

Groep (minder dan 15 personen) = 60 euro

Groep (meer dan 15 personen) = 120 euro

Gentse kunstopleidingen = Pay What You Can

DynamoOPWEG

Met dynamoOPWEG reizen scholen gratis met De Lijn naar Kunsthal Gent en terug.

Ook de Gentse gidsenvereniging Gandante biedt rondleidingen aan met een gids in Kunsthal Gent. Daarin ligt de focus op de rijke geschiedenis van het Caermersklooster. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling komt aan bod, maar ook de rijke geschiedenis van het veertiende-eeuwse Karmelietenklooster

  • Een rondleiding voor een groep van 1 uur kost 80 euro, een rondleiding tot 2 uur kost 110 euro. Mail info@gandante.be voor informatie en boekingen.
  • Regelmatig vinden ook open rondleidingen plaats, vanaf 10 euro per persoon. Data, inschrijven en meer informatie via de website van Gandante.