#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#35: The artist fee should be good.|#29: We make the program for the artist that we exhibit.|#124: Do less, do it better.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#20: Are exhibitions the most suitable form for the art that we present?|#28: Make Contracts.|#91: Embrace doubt.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#82: Clean and sterile looks professional, but really boring.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|
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Een bezoek in groep aan Kunsthal Gent?

Tijdens de week zet Kunsthal Gent zijn deuren graag open voor groepen en scholen. Stuur een mail met je wensen via onderstaande knop. Dan stellen we samen een op maat gemaakt bezoek aan Kunsthal Gent op.

Ook de Gentse gidsenvereniging Gandante biedt rondleidingen aan met een gids in Kunsthal Gent. Daarin ligt de focus op de rijke geschiedenis van het Caermersklooster. Enerzijds de vruchtbare artistieke bodem die het pand heeft in haar huidige invulling komt aan bod, maar ook de rijke geschiedenis van het veertiende-eeuwse Karmelietenklooster

  • Een rondleiding voor een groep van 1 uur kost 80 euro, een rondleiding tot 2 uur kost 110 euro. Mail info@gandante.be voor informatie en boekingen.
  • Regelmatig vinden ook open rondleidingen plaats, vanaf 10 euro per persoon. Data, inschrijven en meer informatie via de website van Gandante.