#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#53: Immaterial support for artists is important.|#124: Do less, do it better.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#55: Keep basic human needs on the forefront.|#30: Don’t work with artists who are assholes.|
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Marjoleine Maes