#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#89: Build-in impurity within the organisation.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#99: Evolve according to changing needs.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#51: How do we invite the true unknown?|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#10: Don’t be obsessed with numbers.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#36: We support production separately.|#89: Build-in impurity within the organisation.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#65: No excuses: Thursday morning, team meeting.|
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SUSTAINABILITY
  • All catering at Kunsthal Gent is vegetarian.
  • Our water tap from Robinetto saves beverage containers and takes trucks out of traffic.
  • Coffee beans are produced Fair Trade and CO2-neutral (CO2Logic Certified).
  • Printing paper with both of these labels only: Der Blaue Engel and EU Ecolabel.
  • Flyers and posters are printed on 100% recycled paper and produced CO2-neutral.
  • We promote train and car-sharing whenever possible for transport and production.
  • We work as much as possible with recycled and second-hand material (refuse → reduce → reuse → repair → recycle → buy new).
  • We use the banking products of VDK, the Ghent bank with an ethical and sustainable values framework.
  • Kunsthal Gent is a member of Greentrack Gent. Find information and connect your organisation via www.greentrack.be/gent.

With special thanks for donating furniture, surpluss, leftover and raw materials: DOK Gent, Het Nieuwe Instituut (Rotterdam, NL), Art Cinema OFFoff, Be-Part Waregem, Vlaams Architectuurinstituut, Bibliotheek Gent / NEST, Forum Voor Amateurkunsten & OP/TIL.