#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#74: Last one out turns of the lights.|#37: Operate with radical transparency.|#21: Live with the exhibition, spend time with it.|#55: Keep basic human needs on the forefront.|#64: Arrange a distribution of forces.|#26: More artists, less borders.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#82: Clean and sterile looks professional, but really boring.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#2: Bring something new to the city of Ghent.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#51: How do we invite the true unknown?|#40: Follow the artist|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#94: No objections? Just do it.|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#84: The White Cube is a lie.|#117: Consider design, organisational structures and architecture as programme.|