#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#29: We make the program for the artist that we exhibit.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#111: Do it together.|#124: Do less, do it better.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#44: No name tags at dinner.|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#26: More artists, less borders.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#90: The best systems have a failure or ‘a hole’ in them…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#91: Embrace doubt.|#137: Use the publication as programming space|#84: The White Cube is a lie.|#29: We make the program for the artist that we exhibit.|#117: Consider design, organisational structures and architecture as programme.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#111: Do it together.|#124: Do less, do it better.|#35: The artist fee should be good.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#44: No name tags at dinner.|
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Donations

Do you also find it important that Ghent has a lively Kunsthal, a visible platform for local and international artists and organisations?

A visit to Kunsthal Gent is free of charge, but donations are welcome according to the principle of 'pay what you can'. You can leave a donation at the reception desk or make a donation trough bank transfer with the mention " donation Kunsthal Gent".

IBAN: BE02 8900 1514 2640

BIC: VDSPBE91

Donations to Kunsthal Gent make this possible:
  • Free entry for exhibitions and events at Kunsthal Gent
  • A lively and visible platform for artists and organisations: local and international, emerging and established
  • Three special openings per year with different new exhibitions
  • The support of six artists or organisations per year in the development program
  • ...

Kunsthal Gent is a non-profit organisation. Its activities are made possible by donations from visitors and sponsors, with the support of the City of Ghent and the Flemish Community, and with the help of many volunteers.