#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#14: Can you also remain a toddler institution?|#35: The artist fee should be good.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#119: Be a space of production.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|