#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#35: The artist fee should be good.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#119: Be a space of production.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#2: Bring something new to the city of Ghent.|#44: No name tags at dinner.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#40: Follow the artist|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#55: Keep basic human needs on the forefront.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#6: Demand that visitors are active.|