Apparatus 22 (RO/BE)

#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|#6: Demand that visitors are active.|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#90: The best systems have a failure or ‘a hole’ in them…|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#94: No objections? Just do it.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#65: No excuses: Thursday morning, team meeting.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#26: More artists, less borders.|#39: Be the early stepping stone in an artist’s career|#6: Demand that visitors are active.|#105: Kunsthal Gent is local in scale, but globally connected.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|