#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|#15: Kunsthal Gent aims to be an extension of public space.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#107: Build a community / scene.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#37: Operate with radical transparency.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#4: Pay what you can.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#53: Immaterial support for artists is important.|
