#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#56: Take a lunch break.|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#44: No name tags at dinner.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#29: We make the program for the artist that we exhibit.|#17: An exhibition is never finished.|#19: Have fun at the exhibition.|#56: Take a lunch break.|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#6: Demand that visitors are active.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#105: Kunsthal Gent is local in scale, but globally connected.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#44: No name tags at dinner.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#62: Be kind. Full dishwasher: empty it.|#91: Embrace doubt.|
