#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#112: Spaces today don’t need to be curated, but occupied.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#30: Don’t work with artists who are assholes.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#137: Use the publication as programming space|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#112: Spaces today don’t need to be curated, but occupied.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#30: Don’t work with artists who are assholes.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|