#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#112: Spaces today don’t need to be curated, but occupied.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#92: We’re a learning organisation.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#98: The success of it will not lie in the result but in the process.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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Younes Baba-Ali

Work period summer / autumn 2020

In his context-specific installations, Younes Baba-Ali mixes technology, objects, sound, video and photography with political, social and ecological issues. The public space is central to his research, as an improvised workspace for the development of projects, and as an unconventional exhibition space where he holds up a mirror to society and confronts it with its ingrained habits and shortcomings. His works take on their final form in dialogue with the audience. With sometimes disruptive interventions he confronts the spectator ironically with himself and his environment.

During his work period in Kunsthal Gent Baba-Ali will invite different people - residents / artists / researchers - and will be recording sound material. He then brings these sounds back to the street and to the Kunsthal itself through performative actions and interventions.

In parallel, he is working with Pascal Nicolas on the exhibition Arrival / Departure, as part of the festival Het Betere Boek 2020: Unthink Africa. One work from the exhibition - the installation Arrival / Departure (from which the exhibition derives its title), will be on display in Kunsthal Gent from 9 to 28 October.

On 9 Friday October at 20:00 there will be an artist talk
by Younes Baba Ali, with guests Pascal Nicolas (coach Het Betere Boek/Willemsfonds) and Sandrine Colard, curator Lubumbashi Biennale 2019.

Image: (c) Matteo Lonardi

Biography

Born in 1986 in Oujda (Ma), Younes Baba-Ali lives and works in Casablanca (Ma) and Brussels (Be). Graduating from l’Ecole Supérieure des Arts Décoratifs de Strasbourg in 2008, and from l’Ecole Supérieure d’Art d’Aix-en-Provence in 2011, he was rewarded by the Léopold Sédar Senghor prize, during the African Contemporary Art Biennial of Dakar (Sn) in 2012 and the Boghossian prize, during the Belgian Art Prize Art’Contest in Brussels (Be) in 2014. He has participated in several international exhibitions and biennials, including recent and upcoming projects such as Kunstenfestivaldesarts, Brussels (Be), the Biennale de Lubumbashi, Lubumbashi (RDC), Brussels Background, Brussels (Be), Brussels in Song Eun : Imagining Cities Beyond Technology 2.0, Seoul (Kr), For a Brave New Brussels, Lisbon (Pt), Digital Imaginaries - Africas in Production, ZKM, Karlsruhe (De), One Place After Another, Moscow (Ru), The Marrakech Biennale, Marrakech (Ma), Documenta 14, Berlin (De), Biennale of Contemporary African Art, Dakar, (Sn), Commissions, KANAL - Centre Pompidou, Brussels (Be), and Gemischte Gefühle, Tempelhof, Berlin (De). His work is part of different collections, both private and public, such as Kanal – Centre Pompidou, Brussels (Be).

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Younes Baba Ali Caroussa Sonore 2012 Matteo Lonardi