#51: How do we invite the true unknown?|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#124: Do less, do it better.|#40: Follow the artist|#19: Have fun at the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#51: How do we invite the true unknown?|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#99: Evolve according to changing needs.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#124: Do less, do it better.|#40: Follow the artist|#19: Have fun at the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|
