#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#119: Be a space of production.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#68: Once in a while we need to get out of utopia and get something done.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#6: Demand that visitors are active.|#119: Be a space of production.|#40: Follow the artist|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|#90: The best systems have a failure or ‘a hole’ in them…|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
