#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#127: Remain practical: what happens to the work in an endless exhibition?|#6: Demand that visitors are active.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#107: Build a community / scene.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#44: No name tags at dinner.|#82: Clean and sterile looks professional, but really boring.|#127: Remain practical: what happens to the work in an endless exhibition?|#6: Demand that visitors are active.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#36: We support production separately.|#107: Build a community / scene.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#14: Can you also remain a toddler institution?|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|
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24—26.05.2019 19:00

Lions in the garden, a new cinema and a nocturnal performance during the second opening weekend on 24, 25 and 26 May 2019

Pay what you can

Save the date:
Openingsweekend mei 2019

FRIDAY

Inauguration of the new cinema in the hall church.
Film programme 'Spaces of Cinema' by Art Cinema OFFoff.

On Friday 24 May at 20:00, Kunsthal Gent will present a brand new cinema in collaboration with Art Cinema OFFoff. After fifteen years OFFoff will leave its space in the Beguinage and Kunsthal Gent will become the new operating base. In the three-day programme 'Spaces of Cinema', they will pay tribute to the cinema as a magical place. On Friday there will be a performance by Teresa Cos (IT) and OFFoff will screen the film 'La Région centrale' by Michael Snow (CA). The cinema was designed by architect and visual artist Olivier Goethals (BE).

— Kunsthal Gent open from 19:00.

SATURDAY

Nina Beier (DK) makes the garden of Kunsthal Gent accessible to the public for the first time with five monumental lions in the installation 'Housebroken'.

The exhibition 'Housebroken' will be open from 11:00. At 14:00 in the garden, curator Chris Fitzpatrick (US) talks about the exhibition and artist Bob Kil presents the performance 'bob bob, 2019'. On Saturday, the focus of the 'Spaces of Cinema' programme will be on the Ciné amateurs' salon. Starting at 17:00, there will be conversations on experimental cinema, screenings of Tomoslav Gotovac (RS), Vukica Djilas (former Yugoslav Republic of Macedonia) and a selection of short films.

— Kunsthal Gent is open from 11:00 (after midnight the Sunday programme will start).

SUNDAY

Discoteca Clandestina: nocturnal performance by Curatorial Studies (KASK) and a programme by Atelier OFFoff in the cinema

In the night from Saturday to Sunday the research project 'HARBINGER Part 1-First Signs' by Curatorial Studies takes off with the seven-hour performance 'Discoteca Clandestina'. It marks the start of a programme of 4 weekends of lectures and films in which the common ground between art and science is explored with international guests. Discoteca Clandestina, the opening performance by Paolo Danese (IT), takes dancers from the third to the fifth dimension through music.

On Sunday afternoon, the young Flemish filmmakers and audiovisual artists of Atelier OFFoff will occupy the cinema with works by La Chambre Automatique (BE), Deveny Faruque (BE) and Jonathan William Beaton (UK).

— Kunsthal Gent is open from 11:00 to 18:00. At 12:30 there will be an info session about the current open call for the development program of Kunsthal Gent.

More information on the film programme by Art Cinema OFFoff: www.offoff.be

More information on the programme by Curatorial Studies: Discoteca Clandestina, Harbinger I: First Signs

*Image: Photographic reproduction of the moment when Croxhapox hired a fortune teller to predict the future of Kunsthal Gent, Café Folklore, 26-01-2019 (Stijn Van Dorpe/Croxhapox, first Kunsthal Gent residency.) Card picked by Danielle van Zuijlen (Kunsthal Gent).

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