#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#51: How do we invite the true unknown?|#30: Don’t work with artists who are assholes.|#34: We pay artists.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#17: An exhibition is never finished.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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27.10.2019 10:30

film screenings

Pay what you can

Art cinema OFFoff presents:
8+ Kleur buiten de lijntjes!

Compilation of animation films with a wide range of styles and techniques: from paper animation to stop-motion, from pellicule to digital 3D animations. Followed by a workshop in which we animate images without the use of a camera or computer!


I.s.m. Filem’on (in het kader van Filmen’King)
Tickets: 4 euro (kinderen) / 5 euro (volwassenen)

For more infromation:
https://offoff.be/events/8-kleur-buiten-de-lijntjes

Kleurbuitendelijntjes