#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#53: Immaterial support for artists is important.|#36: We support production separately.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#15: Kunsthal Gent aims to be an extension of public space.|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#30: Don’t work with artists who are assholes.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change - the phenomenon reveals itself2 becomes 17 - thus accepting its translucent nature

A-Bird-among-Bears