#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#37: Operate with radical transparency.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#62: Be kind. Full dishwasher: empty it.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#117: Consider design, organisational structures and architecture as programme.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#4: Pay what you can.|#37: Operate with radical transparency.|#39: Be the early stepping stone in an artist’s career|#127: Remain practical: what happens to the work in an endless exhibition?|#62: Be kind. Full dishwasher: empty it.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#34: We pay artists.|#17: An exhibition is never finished.|#59: Always protect the floor when painting (or pouring concrete)|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#82: Clean and sterile looks professional, but really boring.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change - the phenomenon reveals itself2 becomes 17 - thus accepting its translucent nature

A-Bird-among-Bears