#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#6: Demand that visitors are active.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#90: The best systems have a failure or ‘a hole’ in them…|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#124: Do less, do it better.|#64: Arrange a distribution of forces.|#105: Kunsthal Gent is local in scale, but globally connected.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|
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22—23.06.2019 20:00

Pay what you can

Offoff Presents:
A Bird among Bears, Thomas De Geyter

Upon accepting that it won’t change - the phenomenon reveals itself2 becomes 17 - thus accepting its translucent nature

A-Bird-among-Bears