#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#112: Spaces today don’t need to be curated, but occupied.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#53: Immaterial support for artists is important.|#10: Don’t be obsessed with numbers.|#112: Spaces today don’t need to be curated, but occupied.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#90: The best systems have a failure or ‘a hole’ in them…|#35: The artist fee should be good.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#137: Use the publication as programming space|#84: The White Cube is a lie.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#30: Don’t work with artists who are assholes.|
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13.05.2022 18:00

Walk with Kunsthal Gent as a point of departure

Price: € 10

Between Us vzw presents:
A walk during which ...

With "a walk during which the participants will tread their own route and take a few stops designed in such a way that the artist can share her fascination with art history, history of walking, city development, psychology, and other fields", Anyuta Wiazemsky Snauwaert researches how people relate to cities.

As a certified guide, she uses the canvas of a classic tour, deconstructs it and weaves new elements in it, such as artistic practices or personal interest in urban development, psychology, societal dynamics, linguistics. This walk is an experience where the participants actively create memories and thus manipulate their own relationship with a/the given city.

The tour takes 90 minutes and is suited for groups of minimum 5 and maximum 20 people.

Admission: €10 (incl. 8 postcards, especially produced for the occasion), reservation obligatory

A project by Between us vzw

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