#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|
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13.05.2022 18:00

Walk with Kunsthal Gent as a point of departure

Price: € 10

Between Us vzw presents:
A walk during which ...

With "a walk during which the participants will tread their own route and take a few stops designed in such a way that the artist can share her fascination with art history, history of walking, city development, psychology, and other fields", Anyuta Wiazemsky Snauwaert researches how people relate to cities.

As a certified guide, she uses the canvas of a classic tour, deconstructs it and weaves new elements in it, such as artistic practices or personal interest in urban development, psychology, societal dynamics, linguistics. This walk is an experience where the participants actively create memories and thus manipulate their own relationship with a/the given city.

The tour takes 90 minutes and is suited for groups of minimum 5 and maximum 20 people.

Admission: €10 (incl. 8 postcards, especially produced for the occasion), reservation obligatory

A project by Between us vzw

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