#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#44: No name tags at dinner.|#14: Can you also remain a toddler institution?|#62: Be kind. Full dishwasher: empty it.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#32: Be pan-gender polyphonic.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#56: Take a lunch break.|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#74: Last one out turns of the lights.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#53: Immaterial support for artists is important.|
