#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#56: Take a lunch break.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#54: What about disabled artists?|#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#56: Take a lunch break.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#54: What about disabled artists?|
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06.05.2022 20:00

Curated by Isolde Vanhee

Pay what you can

Art cinema OFFoff presents:
Acts of Painting: Films

OFFoff presents a program in which filmmakers recycle residual images into an abstract painting, depict an existential parable, paint directly on the film stock as if it were a canvas, or stage the painter as a subversive character in ecstatic tableaus.

This film program connects to the book presentation of Acts of Painting and a symposium of the same name (2-6 p.m.) at Kunsthal Gent, organized by painter and researcher Ritsart Gobyn (LUCA School of Arts Gent).

Film program curated and introduced by Isolde Vanhee

Jennifer Reeves
Landfill 16
US • 2011 • 9' • colour • 16mm

Charlotte Pryce
Parable of the Tulip Painter and the Fly
US • 2008 • 4' • colour • silent • 16mm

Stan Brakhage
Night Music -
US • 1986 • 30" • colour • silent • 16mm
Stellar - US • 1993 • 3' • colour • silent • 16mm
Autumnal - US • 1993 • 5' • colour • silent • 16mm

Korakrit Arunanondchai

Painting with history in a room filled with people with funny names 3
FR/TH/US • 2015 • 24' • colour • digital

Brakhage