#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#56: Take a lunch break.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#54: What about disabled artists?|#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#28: Make Contracts.|#56: Take a lunch break.|#91: Embrace doubt.|#98: The success of it will not lie in the result but in the process.|#111: Do it together.|#6: Demand that visitors are active.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#35: The artist fee should be good.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#54: What about disabled artists?|