#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#89: Build-in impurity within the organisation.|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#117: Consider design, organisational structures and architecture as programme.|#54: What about disabled artists?|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#6: Demand that visitors are active.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#98: The success of it will not lie in the result but in the process.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#37: Operate with radical transparency.|#132: Things will always look weird when you’re the first doing it.|#74: Last one out turns of the lights.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|
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06.05.2022 14:00

Symposium & book launch - Ritsart Gobyn

Pay what you can

LUCA School of arts presents:
Acts of Painting

Symposium and book launch, organized by painter and researcher Ritsart Gobyn (LUCA School of Arts Gent).

The symposium focusses on the phenomenon of painterly practices that foreground the artistic process. How do contemporary paintings visualize this process? Why do they sometimes even stage their own making? What are the historical and contemporary roots of this reflective practice? And what ​do we look for, as viewers, when we try to retrace the process in painting?

Programme

14u-17u: Artist talks, presentations and discussion

  • Kees Goudzwaard
  • Franziska Reinbothe
  • Koenraad Jonckheere
  • Melissa Gordon
  • Matthias Weischer​
  • Ritsart Gobyn
  • Tom Van Imschoot

17u-18u: Drinks & Book Presentation

20u: Films on the Painterly process, curated by Isolde Vanhee, Art Cinema OFFoff


Pay What You Can, registration required

Register here
Actsof Painting1 kopie