#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#37: Operate with radical transparency.|#91: Embrace doubt.|#44: No name tags at dinner.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#37: Operate with radical transparency.|#91: Embrace doubt.|#44: No name tags at dinner.|#94: No objections? Just do it.|#117: Consider design, organisational structures and architecture as programme.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|
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07.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Agnes Martin double bill

Agnes Martin

Gabriel

US • 1976 • 78' • kleur • digitaal • en gespr



Mary Lance

Agnes Martin: With My Back To the World

US • 2003 • 56' • kleur • stil • digitaal • en gespr

‘I thought my movie was going to be about happiness, but when I saw it finished, it turned out to be about joy – the same things my paintings are about.’ – Agnes Martin

Gabriel is the only completed and rarely shown film by the renowned American painter Agnes Martin. In this contemplative and fragmentary study of the landscape, Martin follows the wanderings of a ten-year-old boy in the countryside of New Mexico, near where she lived and worked.

Mary Lance’s documentary on Agnes Martin was shot from 1998 through 2002, the year she turned 90. Interviews with Martin are intercut with shots of her studio in Taos, photographs, archival footage, and images of her paintings. She speaks about her work, her working methods, her life as an artist, and her views on the creative process. She also reads from her poetry. In keeping with her chosen life of solitude, she alone appears in the film.

Program: Sven Dehens & Isolde Vanhee
Tickets: €8 / €5 (reduction)

https://offoff.be/en/events/agnes-martin-double-bill/

AM 5 New Deal Films 2b 768x589