#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#84: The White Cube is a lie.|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#74: Last one out turns of the lights.|#94: No objections? Just do it.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#98: The success of it will not lie in the result but in the process.|#112: Spaces today don’t need to be curated, but occupied.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#91: Embrace doubt.|#28: Make Contracts.|
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07.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Agnes Martin double bill

Agnes Martin

Gabriel

US • 1976 • 78' • kleur • digitaal • en gespr



Mary Lance

Agnes Martin: With My Back To the World

US • 2003 • 56' • kleur • stil • digitaal • en gespr

‘I thought my movie was going to be about happiness, but when I saw it finished, it turned out to be about joy – the same things my paintings are about.’ – Agnes Martin

Gabriel is the only completed and rarely shown film by the renowned American painter Agnes Martin. In this contemplative and fragmentary study of the landscape, Martin follows the wanderings of a ten-year-old boy in the countryside of New Mexico, near where she lived and worked.

Mary Lance’s documentary on Agnes Martin was shot from 1998 through 2002, the year she turned 90. Interviews with Martin are intercut with shots of her studio in Taos, photographs, archival footage, and images of her paintings. She speaks about her work, her working methods, her life as an artist, and her views on the creative process. She also reads from her poetry. In keeping with her chosen life of solitude, she alone appears in the film.

Program: Sven Dehens & Isolde Vanhee
Tickets: €8 / €5 (reduction)

https://offoff.be/en/events/agnes-martin-double-bill/

AM 5 New Deal Films 2b 768x589