#44: No name tags at dinner.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#44: No name tags at dinner.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#64: Arrange a distribution of forces.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#55: Keep basic human needs on the forefront.|#92: We’re a learning organisation.|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#111: Do it together.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|
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07.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Agnes Martin double bill

Agnes Martin

Gabriel

US • 1976 • 78' • kleur • digitaal • en gespr



Mary Lance

Agnes Martin: With My Back To the World

US • 2003 • 56' • kleur • stil • digitaal • en gespr

‘I thought my movie was going to be about happiness, but when I saw it finished, it turned out to be about joy – the same things my paintings are about.’ – Agnes Martin

Gabriel is the only completed and rarely shown film by the renowned American painter Agnes Martin. In this contemplative and fragmentary study of the landscape, Martin follows the wanderings of a ten-year-old boy in the countryside of New Mexico, near where she lived and worked.

Mary Lance’s documentary on Agnes Martin was shot from 1998 through 2002, the year she turned 90. Interviews with Martin are intercut with shots of her studio in Taos, photographs, archival footage, and images of her paintings. She speaks about her work, her working methods, her life as an artist, and her views on the creative process. She also reads from her poetry. In keeping with her chosen life of solitude, she alone appears in the film.

Program: Sven Dehens & Isolde Vanhee
Tickets: €8 / €5 (reduction)

https://offoff.be/en/events/agnes-martin-double-bill/

AM 5 New Deal Films 2b 768x589