#92: We’re a learning organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#19: Have fun at the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|#92: We’re a learning organisation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#19: Have fun at the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#17: An exhibition is never finished.|#51: How do we invite the true unknown?|
