#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#132: Things will always look weird when you’re the first doing it.|#94: No objections? Just do it.|#55: Keep basic human needs on the forefront.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#127: Remain practical: what happens to the work in an endless exhibition?|#34: We pay artists.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#117: Consider design, organisational structures and architecture as programme.|#56: Take a lunch break.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


IMAGES
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