#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#124: Do less, do it better.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#17: An exhibition is never finished.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#61: No all male install teams.|#124: Do less, do it better.|#91: Embrace doubt.|#19: Have fun at the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#21: Live with the exhibition, spend time with it.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#111: Do it together.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


IMAGES
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