#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#19: Have fun at the exhibition.|#40: Follow the artist|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|#105: Kunsthal Gent is local in scale, but globally connected.|#30: Don’t work with artists who are assholes.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#19: Have fun at the exhibition.|#40: Follow the artist|#61: No all male install teams.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#89: Build-in impurity within the organisation.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#6: Demand that visitors are active.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#119: Be a space of production.|#44: No name tags at dinner.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#15: Kunsthal Gent aims to be an extension of public space.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


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