#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#40: Follow the artist|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#40: Follow the artist|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#107: Build a community / scene.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


IMAGES
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