#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#124: Do less, do it better.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|#44: No name tags at dinner.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#21: Live with the exhibition, spend time with it.|#74: Last one out turns of the lights.|#98: The success of it will not lie in the result but in the process.|#91: Embrace doubt.|#124: Do less, do it better.|#56: Take a lunch break.|#117: Consider design, organisational structures and architecture as programme.|#14: Can you also remain a toddler institution?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#84: The White Cube is a lie.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#92: We’re a learning organisation.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#40: Follow the artist|
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19.02.2019 18:00

by GAFPA, Maarten Van Den Driessche, Aglaia Konrad, Bert Huyghe, PRIMARY STRUCTURE, APE Publication #128

Pay what you can

Book Launch:
APE Publication #128: G1710

G1710 is a book about the work of architecture office GAFPA over the past 10 years. They conceived the book as a project itself. It is a collaboration with some people GAFPA admires from other disciplines.

The book contains contributions by artists Aglaia Konrad and Bert Huyghe, architecture critic Maarten Van Den Driessche, students of the PRIMARY STRUCTURE (https://primarystructure.net) studio and graphic designer Arthur Haegeman.

https://artpapereditions.org
http://www.gafpa.net


IMAGES
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