on gifts, broadcasting, positive destruction and blank auguri

#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#137: Use the publication as programming space|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|#36: We support production separately.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#39: Be the early stepping stone in an artist’s career|#61: No all male install teams.|#137: Use the publication as programming space|#35: The artist fee should be good.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#84: The White Cube is a lie.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#112: Spaces today don’t need to be curated, but occupied.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#55: Keep basic human needs on the forefront.|

11.10.2019 20:00

Artist Talk

Pay what you can

Apparatus 22:
on gifts, broadcasting, positive destruction and blank auguri