#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#56: Take a lunch break.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#127: Remain practical: what happens to the work in an endless exhibition?|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#56: Take a lunch break.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#99: Evolve according to changing needs.|#107: Build a community / scene.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#68: Once in a while we need to get out of utopia and get something done.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|
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09.08.2019 19:30

Pay what you can

EVERYTHING IS AT PLAY:
Apparatus 22 neemt Kunsthal Gent over

EVERYTHING IS AT PLAY: Apparatus 22 takes over Kunsthal Gent


On Friday August 9, the first day of the Patersholfeesten (The Patershol Festival), the art collective Apparatus 22 will take over Kunsthal Gent with a programme of performance, video and an epic confetti celebration.

At 20:00 sharp, two XL confetti cannons will be activated in the old Carmelite monastery. In the performance EVERYTHING IS AT PLAY: KUNSTHAL GENT, colorful oversized confetti will fill the air with joy and with thought-provoking questions, ranging from critical to playful.

The questions inscribed on confetti by Apparatus 22 are putting in motion a collective reflection on the future of Kunsthal in Gent and on the experimental approach of the new artistic organisation. Dealing with topics such as desire, ethics, doubt and commitment, the work is at the same time a celebration and a critical examination of Kunsthal Gent’s ambition to radically reimagine what a 'kunsthalle' could be.

EVERYTHING IS AT PLAY: KUNSTHAL GENT is part of the performance series Positive Tension, in which each time a set of questions is formulated in response to a specific context. The questions in this edition are also drawing from Apparatus 22's long-term research into progressive art institutions, into experiences and dreams emerging in such places. An earlier edition in the Museums Quartier in Vienna was about fashion. Other editions were performed in 2018 at the anniversary of Museum Dhondt Dhaenens and at State of Fashion biennial in Arnhem.

Consistent with their collaborative ethos, Apparatus 22 enlisted two fellow artists originating from Bucharest to join the temporary take over of Kunsthal Gent:

- Irina Bujor (RO/DE) wrote the script for the new performance SPLENDOR. ONE DESIRE AT A TIME, reflecting on realities of transgender communities. Blending idealism, painful honesty and belief in the magic of numbers, the work will be performed by opera singer Nadia Hidali (BE).

- Farid Fairuz (LB/RO): his video performance LAMENT (NOT MECCA, NOT ROME) will be screened in the cinema. The video documents the clashes between his body and the highly structured definitions of behavior in public space.

The performances will take place between 19:30 and 20:30 hrs.

Apparatus 22 is a multidisciplinary art collective living and working between Bucharest and Brussels. From July to October 2019 they are participants in the Development Programme at Kunsthal Gent.

1.-Apparatus-22-positive-tension-MQ